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Director retrospectives and the catalogues we represent in Canada. Play one title or the whole set: a weekend, a month, a season.

Director Series

Ron Mann Collection

A pioneering cultural historian, Ron Mann captures the alternative and the overlooked—from avant-garde jazz to counterculture, comics, and environmental activism. His films operate as canvases of alternative landscapes, celebrating artistic vision outside the mainstream. As founder of Films We Like, he champions the independent voices and unconventional narratives that define contemporary cinema.

20 films →

Larry Weinstein Collection

An inventive documentarian exploring creativity and power, from musical genius to geopolitical intrigue. Weinstein combines artistic depth with accessible storytelling, illuminating the invisible mechanisms of artistic vision and human consequence across three decades of internationally acclaimed work.

17 films →

Emile de Antonio Collection

A founding radical of New American Cinema, de Antonio pioneered the compilation documentary—cobbling together found footage, interviews, and archival material to argue against the grain of power. His films on McCarthyism, Vietnam, and American politics remain models of formally inventive, unashamedly oppositional cinema.

9 films →

Nik Sheehan Collection

A documentarian of artistic visionaries and cultural rebels, Sheehan crafts intellectually rigorous portraits of figures shaping experimental art, queer culture, and contemporary thought. His films combine intimate biography with broader cultural narrative, ensuring the voices of the marginalized are heard and remembered.

6 films →

Sara Driver Collection

A quiet architect of downtown Manhattan's independent film scene, Sara Driver produced Jim Jarmusch's earliest breakthroughs before carving her own path as a director of dreamlike, genre-bending films — work so singular that one thought-lost short was later declared among the best films of its decade.

4 films →

Guy Maddin Collection

A Winnipeg eccentric who resurrects the delirious grammar of silent cinema—degraded film, intertitles, expressionist fervor—to excavate desire, memory, and maternal haunting. His maximalist visual delirium, rooted in Icelandic and prairie gothic sensibilities, stands apart as singular cinema.

3 films →

Catalogues We Represent