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Director retrospectives and the catalogues we represent in Canada. Play one title or the whole set: a weekend, a month, a season.
Director Series

Ron Mann Collection
A pioneering cultural historian, Ron Mann captures the alternative and the overlooked—from avant-garde jazz to counterculture, comics, and environmental activism. His films operate as canvases of alternative landscapes, celebrating artistic vision outside the mainstream. As founder of Films We Like, he champions the independent voices and unconventional narratives that define contemporary cinema.
20 films →
Larry Weinstein Collection
An inventive documentarian exploring creativity and power, from musical genius to geopolitical intrigue. Weinstein combines artistic depth with accessible storytelling, illuminating the invisible mechanisms of artistic vision and human consequence across three decades of internationally acclaimed work.
17 films →
Emile de Antonio Collection
A founding radical of New American Cinema, de Antonio pioneered the compilation documentary—cobbling together found footage, interviews, and archival material to argue against the grain of power. His films on McCarthyism, Vietnam, and American politics remain models of formally inventive, unashamedly oppositional cinema.
9 films →
Nik Sheehan Collection
A documentarian of artistic visionaries and cultural rebels, Sheehan crafts intellectually rigorous portraits of figures shaping experimental art, queer culture, and contemporary thought. His films combine intimate biography with broader cultural narrative, ensuring the voices of the marginalized are heard and remembered.
6 films →
Sara Driver Collection
A quiet architect of downtown Manhattan's independent film scene, Sara Driver produced Jim Jarmusch's earliest breakthroughs before carving her own path as a director of dreamlike, genre-bending films — work so singular that one thought-lost short was later declared among the best films of its decade.
4 films →
Guy Maddin Collection
A Winnipeg eccentric who resurrects the delirious grammar of silent cinema—degraded film, intertitles, expressionist fervor—to excavate desire, memory, and maternal haunting. His maximalist visual delirium, rooted in Icelandic and prairie gothic sensibilities, stands apart as singular cinema.
3 films →Catalogues We Represent




Sphinx Productions
For over 45 years, Toronto's Sphinx Productions — the vehicle for filmmaker Ron Mann's restless curiosity — has turned pop culture's margins into essential cinema, from Comic Book Confidential and Grass to Altman and Carmine Street Guitars.
20 films →



Janus Films
America's original portal to world cinema, Janus Films has held rights to the masters — Fellini, Ozu, Tarkovsky — since 1956, now guardian of a library over 1,200 films strong.
18 films →



Canadian International Pictures
Canadian International Pictures resurrects the overlooked golden age of Canadian film — arthouse to Canuxploitation — restoring '60s–'80s cult classics for a new audience.
6 films →



Greenwich Entertainment
A New York distributor with an unerring nose for the true story, Greenwich Entertainment has built one of the industry's deepest documentary catalogs — from the Oscar-winning heights of Free Solo to intimate portraits of music legends and unlikely rebels — while carving out space for narrative gems along the way.
4 films →


Juno Films
A boutique distributor built on one dealmaker's 25-year eye for the undersung, Juno Films crafts bespoke finance and distribution paths for filmmakers — carrying work like Lasse Hallström's Hilma and Sundance winner Girls Will Be Girls from the festival circuit to audiences worldwide.
3 films →