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SYNOPSIS: A minor masterpiece, Backroad Blues is hilariously absurd and tragic—like America itself. Its Missourian drifter, Chip, reminds us that adaptability comes with the social territory of shallow opportunism; his survival is an endless, inhuman repetition of a wee range of behavior. Fellow rural drifter Kent (Alec Jennings, marvelous) is the opposite: an aching mass of humanity looking for work. The search for work is what’s important to Chip; job-as-destination matters to Kent, who needs to send money back home to his wife and 8-year-old daughter, and who dreams of creating for them a better life. Along the way in this road movie (Kent’s truck is the main “indoor” setting), Kent’s comic explosions of frustration recall Elmer Fudd’s until his crushed spirit is no laughing matter. Kent embodies the perpetual frustration that many discover as they attempt to navigate what American myth assures them are easily accessed highways to success in the U.S. Too many of us end up living the blues on unpaved backroads.
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